Monday, April 14, 2014

Introducing the Banks-Butler Speculative Fiction Tour


"What is the Banks-Butler Spec-Fic Tour?" you may ask.

The State of Black Science Fiction Presents: The Butler Banks Book Tour
In honor of Octavia Butler and L.A. Banks, two giants in the world of Science Fiction, Fantasy and Horror and, indeed, the entire world of literature, we are launching the Butler / Banks Book Tour.
The tour is 30 (or more) days of Speculative Fiction (Science Fiction, Fantasy and Horror / Paranormal) written by and about Black people.
Each day, a different author will take the stage and bring us into their world – or worlds – through exciting book excerpts, reviews of their books, cool book trailers, audio recordings of a chapter or two and anything else fun and exciting y’all would like to share.
All authors involved will share that day’s featured author’s post on our blogs as a guest post and we will all shout that person out on the various social media we are part of (Facebook, Twitter, Pinterest, LinkedIn, Goodreads, etc.).
To join the tour, you must have at least one book published and you must have a blog. Books include novels, novellas, anthologies, graphic novels, comic books and even chap books - traditionally published and self-published.
Please use the #blackscifi, #blackbooktour and #afrofuturism hashtags each time we shout it out as this will help build our brand and help others shout us out, too.


APRIL 2014
April 14
Colby R. Rice: Sci-fi, Fantasy, & Thriller Novelist. Screenwriter. Film Producer. Globetrotter. Action Junkie. Rebel Ragdoll.
A shameless nerd and bookworm since the age of five, Colby R Rice is the author of Ghosts of Koa, the first novel in The Books of Ezekiel, a dystopian-urban fantasy decalogy. She was an Air Force BRAT born in Bitburg Rheinland-Pfalz, Germany and came to the States at the age of one. Colby bounced around a lot, but finally settled in Los Angeles, where she could at last deal with her addictions to creative entrepreneurship, motorcycles, and traveling.
Now, armed with a mound of animal crackers and gallons of Coca-Cola, Colby takes on fiction writing in a fight to the death!
Current projects include: the second novel in The Books of Ezekiel series, the first novel in a middle grade SFF detective series, the first novel in an adult sci-fi thriller series, development of her first sci-fi thriller film, and the growth of her production house, Rebel Ragdoll. Stay tuned at www.colbyrrice.com!
April 15


Alan D. Jones: Former columnist for the Atlanta Tribune, Alan Jones has worked most of his adult life as a Business/IT consultant, working all across America from Los Angeles to Wall Street. Born in Atlanta, Alan attended GA-Tech and GA State, obtaining his MBA from Georgia State University's Robinson School of Business. In addition, Alan was a feature writer for the student newspapers at both schools. Alan also served on the board of the Atlanta chapter of the National Black MBA association.
Alan, is the author of the Science Fiction novels, To Wrestle with Darkness and its prequel, Sacrifices.

April 16 
Balogun Ojetade: Balogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the short films, A Single Link and Rite of Passage: Initiation.
He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/.
He is author of six novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the Urban Science Fiction saga, Redeemer; the Sword & Soul epic, Once Upon A Time In Afrika, two Fight Fiction, New Pulp novellas – A Single Link and Fist of Afrika and the two-fisted Dieselfunk tale, The Scythe. Balogun is also contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk.
Finally, Balogun is the Director and Fight Choreographer of the Steamfunk feature film, Rite of Passage, which he wrote based on the short story, Rite of Passage, by author Milton Davis.
You can reach him on Facebook at www.facebook.com/Afrikan.Martial.Arts; on Twitter @Baba_Balogun and on Tumblr at www.tumblr.com/blog/blackspeculativefiction. Http://Chroniclesofharriet.com

April 17
Milton Davis: Milton Davis is owner of MVmedia, LLC , a micro publishing company specializing in Science Fiction, Fantasy and Sword and Soul. MVmedia’s mission is to provide speculative fiction books that represent people of color in a positive manner.
Milton is the author of eight novels; his most recent, Woman of the Woods and Amber and the Hidden City. He is co-editor of four anthologies: Griots: A Sword and Soul Anthology and Griots: Sisters of the Spear, with Charles R. Saunders; The Ki Khanga Anthology with Balogun Ojetade and the Steamfunk! Anthology, also with Balogun Ojetade.  MVmedia has also published Once Upon A Time in Afrika by Balogun Ojetade.
Milton resides in Metro Atlanta with his wife Vickie and his children Brandon and Alana.
April 18


Valjeanne Jeffers: Valjeanne is the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend, Immortal III: Stealer of Souls, and the steampunk novels: Immortal IV: Collision of Worlds and The Switch II: Clockwork (includes books 1 and 2).
Her writing has appeared in: The Obamas: Portrait of America's New First Family, The Ringing Ear: Black Poets Lean South, Drumvoices Revue 20th Anniversary, and Liberated Muse: How I Freed My Soul Vol. I. She was also semi-finalist for the 2007 Rita Dove Poetry Award and she was interveiwed in 60 Years of Black Women in Horror Fiction.
Valjeanne's fiction has appeared in Steamfunk!, Genesis: An Anthology of Black Science Fiction, Griots: A Sword and Soul Anthology, Possibilities, 31 Days of Steamy Mocha, and Griots II: Sisters of the Spear. She is co-owner of Q & V Affordable editing. Her two latest novels: Mona Livelong: Paranormal Detective and Colony: Ascension will be released later this year.
Preview or purchase her novels at: http://www.vjeffersandqveal.com

April 19
Jeff Carroll: The award winning Golddigger Killer was Jeff Carroll’s second film, which screened in over 10 film festivals and film series. Jeff Carroll’s first film, Holla If I Kill You, is the second rated all time best seller on B-Movie.com, the number one site for cult movies.
Jeff coined the term “Hip Hop Horror” and is pioneering this hybrid genre.
As well as being a writer and a filmmaker he is owner of Red, Black and Green Promotions, a college entertainment company where he works as an entertainment agent. Jeff Carroll is a leading voice of Hip Hop male/female relations reform and tours colleges and universities coaching students on dating.
He published his latest novel Thug Angel: Rebirth of a Gargoyle, through his own company, Hip Hop Comix N Flix
Jeff  lives in Miami, Florida, with his wife and son. Check out other great works by Jeff at http://hhcnf.blogspot.com/.


April 20
Keith Gaston: Also writing as D.K. Gaston, Keith was born in Detroit, Michigan. After serving in the military as an Infantry soldier, he earned his Bachelors degree in Computer Science, a Masters in Technology Management and a Masters in Business Administration.
Keith is the author of mysteries, thrillers, science fiction and fantasy, including the wildly popular Urban Fantasy novels, Taurus Moon: Relic Hunter and its sequel, Taurus Moon: Magic and Mayhem.
Keith is a devoted husband and father and when not enjoying time with his family, he is always working on his next novel.
Check Keith out at: http://www.dkgaston.com/

April 21
Carole McDonnell: Carole McDonnell holds a BA degree in Literature from SUNY Purchase and has spent most of her years surrounded by things literary. Her writings appear in various anthologies including So Long Been Dreaming: Post-colonialism in science fiction; the anthology, Fantastic Visions III; Jigsaw Nation; Griots: A Sword and Soul Anthology; Life Spices from Seasoned Sistahs: writings by mature women of color; Fantastic Stories of the Imagination; and the Steamfunk! anthology.
She lives in New York’s Hudson Valley with her husband, two sons, and their pets. Her novels – The Constant Tower and Wind Follower, were published by Wildside Books. Her other works include My Life as an Onion and The Boy Next Door From Far Away , Seeds of Bible Study: How NOT to Study the Bible. Her collection of short stories, Spirit Fruit: Collected Speculative Fiction, is available on kindle.
Check her out at http://carolemcdonnell.blogspot.com/

April 22
Kai Leakes: From Iowa, but later relocating to Alton, IL and St. Louis, MO, Kai Leakes was a multifaceted Midwestern child, who gained an addiction to books at an early age. Sharing stories with her cousins as a teen, writing books didn't seem like something she would pursue until one day in college. Storytelling continues to be a major part of her very DNA, with the goal of sharing tales that entertain and add color to a gray literary world.
In her spare time she likes to cook, dabble in photography, and assists with an internet/social networking group online. Loving to feed her book addiction, romance, fantasy and fiction novels are her world. Reading those particular genres help guide her as she finds the time to write and study for school.
Kai is the author of Sineaters: Devotion book one and the soon-to-be-released Sin Eaters: Retribution: Devotion book two, coming in June.
You can find her at: kwhp5f.wix.com/kai-leakes.

April 23 
Milton Davis: Milton Davis is owner of MVmedia, LLC , a micro publishing company specializing in Science Fiction, Fantasy and Sword and Soul. MVmedia’s mission is to provide speculative fiction books that represent people of color in a positive manner.
Milton is the author of eight novels; his most recent, Woman of the Woods and Amber and the Hidden City. He is co-editor of four anthologies: Griots: A Sword and Soul Anthology and Griots: Sisters of the Spear, with Charles R. Saunders; The Ki Khanga Anthology with Balogun Ojetade and the Steamfunk! Anthology, also with Balogun Ojetade.  MVmedia has also published Once Upon A Time in Afrika by Balogun Ojetade.
Milton resides in Metro Atlanta with his wife Vickie and his children Brandon and Alana.

April 24


K. Ceres Wright: Daughter to a U.S. Army father, K. Ceres Wright has lived in Asia and Europe, where her mother dragged her to visit every castle she came across. She attended undergraduate school at the University of Maryland, College Park, with a double major in economics and finance.  She then worked for 10 years as a credit and treasury analyst before deciding to change careers, entering the writing and editing field.
Wright received her Master’s degree in Writing Popular Fiction from Seton Hill University, and Cog was her thesis novel, which was later published by Dog Star Books. Wright’s poem, “Doomed,” was a nominee for the Rhysling Award, the Science Fiction Poetry Association’s highest honor. Her work has appeared in Hazard Yet ForwardGenesis: An Anthology of Black Science FictionMany Genres, One CraftThe 2008 Rhysling Anthology, and the upcoming Far Worlds anthology.
She works as an editor and writer and lives in Maryland with her two children. Visit her website at http://www.kcereswright.com and find her on Twitter @KCeresWright.
April 25
Carole McDonnell: Carole McDonnell holds a BA degree in Literature from SUNY Purchase and has spent most of her years surrounded by things literary. Her writings appear in various anthologies including So Long Been Dreaming: Post-colonialism in science fiction; the anthology, Fantastic Visions III; Jigsaw Nation; Griots: A Sword and Soul Anthology; Life Spices from Seasoned Sistahs: writings by mature women of color; Fantastic Stories of the Imagination; and the Steamfunk! anthology.
She lives in New York’s Hudson Valley with her husband, two sons, and their pets. Her novels – The Constant Tower and Wind Follower, were published by Wildside Books. Her other works include My Life as an Onion and The Boy Next Door From Far Away , Seeds of Bible Study: How NOT to Study the Bible. Her collection of short stories, Spirit Fruit: Collected Speculative Fiction, is available on kindle.
Check her out at http://carolemcdonnell.blogspot.com/

April 26
Valjeanne Jeffers: Valjeanne is the author of the SF/fantasy novels: Immortal, Immortal II: The Time of Legend, Immortal III: Stealer of Souls, and the steampunk novels: Immortal IV: Collision of Worlds and The Switch II: Clockwork (includes books 1 and 2).
Her writing has appeared in: The Obamas: Portrait of America's New First Family, The Ringing Ear: Black Poets Lean South, Drumvoices Revue 20th Anniversary, and Liberated Muse: How I Freed My Soul Vol. I. She was also semi-finalist for the 2007 Rita Dove Poetry Award and she was interveiwed in 60 Years of Black Women in Horror Fiction.
Valjeanne's fiction has appeared in Steamfunk!, Genesis: An Anthology of Black Science Fiction, Griots: A Sword and Soul Anthology, Possibilities, 31 Days of Steamy Mocha, and Griots II: Sisters of the Spear. She is co-owner of Q & V Affordable editing. Her two latest novels: Mona Livelong: Paranormal Detective and Colony: Ascension will be released later this year.
Preview or purchase her novels at: http://www.vjeffersandqveal.com
http://valjeanne.wordpress.com
April 27
DaVaun Sanders: If imagination was a mutant power, DaVaun Sanders could have enrolled at 1407 Graymalkin Lane. Instead, he went the safe route and earned a Bachelor's degree from Washington University in St. Louis in 2002. After two fulfilling service terms with AmeriCorps in Phoenix, he eventually acquiesced to the student loan gods and returned to architecture. Yet his passion for the field faded as he spent more free time writing and performing spoken word poetry. 
The Seedbearing Prince began as a dream vivid enough to play like a movie trailer. Deciding to write his debut novel took some time, as it wasn't part of “The Plan,” but the housing market collapse forced DaVaun's small design firm under in 2008. He decided to plunge into writing full-time, and is loving every minute of it. When the keyboard cramps his fingers, DaVaun gets lost in the great outdoors of Arizona or attends open mic spots in the Valley. DaVaun is currently hard at work editing The Course of Blades, the third book in his World Breach series. Follow him on Twitter @davaunwrites and like on Facebook (facebook.com/davaunsanders) for updates and giveaways!

April 28 
Zig Zag Claybourne: Sometimes he is Zig Zag Claybourne, sometimes he is C.E. Young. Whatever the name, he is always respectful of the magic between him and his readers. He wouldn't forgive himself if he wasted your mind, so it is his goal that every book you experience be a gift a thousand-fold.
Zig Zag is the author of the books Neon Lights, Historical Inaccuracies and (as C.E. Young) By All Our Violent Guides.


April 29
Crystal Connor: Crystal grew up telling spooky little campfire-style stories at slumber parties. Living on a steady literary diet of Stephen King, Robin Cook, Dean R. Koontz and healthy doses of cinema masterpieces such as The Birds, Friday the 13th, Hellraiser, The Outer Limits and The Twilight Zone; along with writing short stories specializing in the Science Fiction & Horror genres since before Jr. high School, it surprised no one that she ended up writing horror novels! 
She now lives in Seattle, WA, where she is a member of the Dark Fiction Guild, and belongs to both the Authors Anonymous and The Seattle Women’s writing groups and she is also an active member of The Critters Workshop. 
The Darkness, is her first full-length novel, followed by And They All Lived Happily Ever After and Artificial Light, the sequel to The Darkness.

April 30
Balogun Ojetade: Balogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the short films, A Single Link and Rite of Passage: Initiation.
He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/.
He is author of six novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the Urban Science Fiction saga, Redeemer; the Sword & Soul epic, Once Upon A Time In Afrika, two Fight Fiction, New Pulp novellas – A Single Link and Fist of Afrika and the two-fisted Dieselfunk tale, The Scythe. Balogun is also contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk.
Finally, Balogun is the Director and Fight Choreographer of the Steamfunk feature film, Rite of Passage, which he wrote based on the short story, Rite of Passage, by author Milton Davis.
You can reach him on Facebook at www.facebook.com/Afrikan.Martial.Arts; on Twitter @Baba_Balogun and on Tumblr at www.tumblr.com/blog/blackspeculativefiction. Http://Chroniclesofharriet.com




Monday, April 07, 2014

Butler/Banks Book Tour: Worldbuilding and the use of the arts in speculative fiction

Because I'm a poet, in addition to creating laws, theologies, culture, races, and history, I also use poetry to show my world.

These are some of the poems, you will find in my novel, The Constant Tower. Some of these poems can stand on their own, however all require some knowledge of their place in the context of the story. I hope you enjoy them.











From where he sits
in our Permanent Home
on the edges of the river
looking on our shore,
Ouis understands.
Bright is his joy now!
Why am I still troubled?
What does that sin matter now?

II

The Longhouse is redolent of sex;
I, myself, am perfumed in it.
How, then, can I leave my marriage tribe?

Some speak with me as an equal.
For them, the words from this studier's lips
Are like a Chief's law.
How, then, can I leave my people?" 

III

Another's sin taints me.
And yet, 
And yet,
In old age, I will return to my childhood pleasures.
I will allow myself to meditate on your face again.
I will dream of your nature-blessed strength and beauty
And look forward to it in Our Permanent Home.
For this girl, brother wounded brother.
If she is returned to me,
Should I regret the sin and yet enjoy the prize?

IV

We have met strangers who are friends
We have met family from afar
Daily the world spins
Daily it turns
And today it has brought us to you.

V
We will trample you, Wheel Clan.
Our brothers build home fires in their permanent home 
But their spirits burn within us. 
Their flame will destroy your tower.
If you roll into our campsite,
You will find yourselves engulfed in flames.

VI

In the days before cities existed, before the night lost its power, 
The great chiefs dreamt of cities built on tower music, 
Locking towers to fertile regions. 

A place of unending abundance, safety, and continual rest, 
A world where none were scattered, where night had no power to separate.
Music filled the universe then as now. 

Music undergirds it. 
Music sustains human cities and human hearts. 
In the old days, they lived with no greater joy than to fill the air with song.

Living chords, are what we are. 
The world is made of sounds, sounds unheard and sounds heard. 
But the ear must be trained to hear them
As the heart is trained to hear the echoes of love. 

Sounds make words and words make worlds. 
Flesh, color, light, stones. . . All are made of sound.
My heart is your keening room.

It is a room filled with hollow reeds, with drums, pipes, and shining many-colored crystals. 
Their rhapsodies sing of regions, like regions of my soul, 
Their variations link towers, as your heart and mine are linked.
Their chords record histories, like the histories of our people.
Their harmonies send out messages. 
Their codas sing destinations, the future of our lives.
Hold your hand above my heart as you would above a drum. 
Touch and feel the world's heartstrings. 

Music, like love, undergirds the world. It upholds the universe.
Lovely to hear the tower music, 
The sequences, the arrangements, the rhythms, chords, and metres. 
But not to be compared to my sweet One's voice.
How beautiful you are, my wife!

VII

The future king and his wife stood atop the rampart
Golden they seemed, like the golden sun on a golden path. 
Behind them the standards of the Wheel Clan flew
Below them, their subjects-sang and cheered.

Once I had smiled to see her dressed as a chief's wife.
But as she stood high above our gathered clans
I thought: he has made her a queen. 

All power was his.
To win her heart, perhaps, and cover her with the clan's glory.
He was our Prince, the heir of all things yet so enslaved
By love for the girl my father had given him.
That morning, I saw tears falling from my brother's eyes.
Tears of joy and amazement.
A future king admiring a future queen.
I saw his fearful joy and wept. 

The following is one of my poems in my WIP, The Daughters of Men.

Prologue

"The daughters of  men are beautiful.  
Lovely they are to look upon 
Soft they are to hold.  
But from among the daughters of men, 
A Scarred One will rise up.
Not gracious to look upon
Not beautiful to behold.  
Yet, of a well-beloved breaker of laws, 
This Stubborn One will be well-beloved. 
She it is who will bring disruption, 
Cleaving Desolation and the Holy One." 
- Canto 712 (The Ezran Edict) of the Nephilim Prophecies

Overseers or humans who wish to interpret the Ezran Edict should keep this one thing in mind: Interpretations of this prophecy hinge on the word "cleaving" which has two possible meanings: joining and separating. Ezra uttered this prophecy as he lay dying on the battlefield during the war of Resistance. It is agreed among the Forsaken that Ezra understood the complexity of the prophecy even as he spoke it.  But, that is all that is agreed upon.
- Gray Wolf's commentary on The Ezran Edict.



Friday, March 28, 2014

Writer Process Blog Hop

I've been tagged by writer-publisher Milton Davis to talk about my writing process

How does my writing process work:
Basically it's a battle against procrastination and diversion. Once I beat those two demons, I write easily.

I tend to just write and write to see where the story leads. Or where God leads the story. If an incident happens while I'm writing -- like a great youtube cooking video or a story on PBS or Discovery Channel or CNN-- I slip it into my story. Stuff and incidents kinda get pulled into my story whenever they appear. I'm pretty catch as catch can because plotting a story will only result in a story that I know, and will only result in a story created by my limited mind. I've never plotted a a story. Stories like songs already exist in the universe. We just have to listen clearly to discover the story and to have it flow through our pen without any agenda. When I listen to where the story wants to go, it's amazing how perfectly put together a story seems to be -- as if I actually planned it. God's very generous that way. I get to take credit for foreshadowing, sub-plots, cause and effect, scenes-sequels, and really I had nothing to do with it. It's better for me than planning. When I plan a story, the story feels limited. But when I just get whimsical and write whatever thing that pops into my mind, everything works soooooo well. I trust they'll all come together...and they always do. My job is just to hear precisely -- without agenda or opinion or stronghold or aim or presupposition-- and to see clear.

What I'm working on:
My Life as an Onion -- This is my attempt to do a story in which charismatic pentecostal gifts are natural. Secular writers have a lot of stories where folks use their psychic gifts "normally" and battle great forces with said gifts. This is very difficult to do with Christian characters because there is the possibility of being preachy. Plus... so many Christians have a problem with anything that feels supernatural. So, it's a fine line to walk...this natural supernaturalism...with an easygoing way calm character who routinely accepts the weirder things of life. Making the supernatural seem routine is the fun part. In the last chapter, main character just suddenly began understanding the Korean language. She doesn't mention it to anyone, although she finds it strange. She's simply sitting back and trying to understand this gift that has now been presented to her. Of course, it will come in handy. No doubt, for eavesdropping.


How my work differs from others in my genre:
My stories tend to be very Christian and yet very accessible to secular readers. That is my great ambassadorial gift, I think. Most Christian writers don't have that ambassadorial gift. When someone reads my stories, Christianity is in every dot, tittle, dash. Scripture is everywhere. And although the reader is aware of that...there is a feeling also that the story is not Christian at all. (I think I did tip the scale in Wind Follower a bit, where the Christianity was very noticeable. But in Constant Tower it isn't at all.)

My stories are also about race, culture, and tribes. Again, this gift of being ambassadorial comes into play. Most Black writers write for Black folks, even when they are trying to write multiculturally. When someone reads my stories, however, there is something to my characters that transcend race, culture, and tribes...even though the main character is usually Black. Anyone can pick up the Constant Tower or any of my stories and not realize the author is a Black woman.










Monday, March 10, 2014

Another poem. Let's call this one "portals"

In the dream
The South had won the battle
by defenestration.

The Confederates had built windows --
in the air, above the ground, hanging in space--
and
they had thrown the Yankee soldiers through them.

Or perhaps they had only incited them to.
Or lured them to.

On waking, we talked about windows.

Windows are portals you can only look through, my husband said
But doors are portals you walk through.

And still no meaning came.
Why would the Confederates win by windows?

And then I thought: Civil War.

And it occurred to me:
What portals have I walked through when I should only have looked?
The distinction is movement.
The distinction is trying to enter into the dream.
That’s the Civil War, isn’t it?
That’s how we war against ourselves.

That’s how the liberators become oppressed:
by walking through windows
high above,
hanging in air
and a long long way from solid and hard ground.
One does not walk through windows, Silly!

And doors are connected to stairs and floors and solid ground.

Sunday, March 09, 2014

Memory -- a little imperfect poem

In 1971
in elementary school
my first year in America
alone and
discovering snow and coldness
I’d eat knishes and kosher hot dogs
from the vendor truck
at the intersection.
I’d walk home
my toes freezing
in useless boots
--all women’s boots were useless then--
mustard, and onions, and sauerkraut
dripping along my face
and gloved freezing hands
until I reached the two-story walk-up
which my family had integrated,
the scent of frying plaintains
curried mutton
ackee and saltfish
like Hansel’s thread
guiding me up the stairs
past the aroma of
gefilte fish, kugel, matzo ball soup, and whitefish
the calypso tunes
guiding me past Klezmer music
and ushering me into my front door.
I soon moved from ska and reggae
to disco, the Beatles, and Joan Baez
And always there was the familyless old lady
on the first floor
with the Auschwitz tattoo
who
taught me to play solitaire.


Monday, March 03, 2014

Writing, Culture, and the use of coincidences

I'm working on My Life as an Onion, my first attempt at a paranormal chicklit...which is scary. This story has a lot of tropes one would find in Korean Dramas and Japanese shoujo. The funny thing is I began writing it before I really got into Korean Dramas and even "knew" (consciously) that such tropes existed. For those who don't know shoujo, some of the conventions/tropes are:
1) The reverse harem: one girl with three or more guys in love with her.
2) The love dodecahedron: heroine and hero are meant to be the OTP (one-true-pairing) but their friends are their rivals with the second lead male and second lead female trying to break up the OTP. Sometimes the rivals work together to break up the fated/destined couple.
3) The contract marriage/innocent cohabitation: hero and heroine are either contractually-married for the wrong reason or living in a situation which can be seen as marriage
4) The love confession
5) Found family vs biological family
6) In this case my heroine is a dojikko (cute and clumsy but hard-working) and her rival (the second lead female) is a cold ice queen.
7) Hero is "troubled but cute" and "rich aristocratic seemingly cold but really sweet guy" and is a bit of a tsundere (a character who runs hot and cold.) He's also Bishonen, or a "flower boy"..very pretty and basically falls into the category of "Cursed with being awesome."
8) Second lead male is a poor country boy with a heart of gold.
9) Second lead female is for "perfect" for the male lead because of their equal status and second lead female's beauty.
10) The intrusive mother who has a particular woman in mind for her son.
11)  The noona-lover (older girl/younger guy)
12) The pretend/accidental kiss
13) Coincidences.

That's what I want to talk about...coincidences in stories. I'm doing my best to subvert a lot of these tropes. For instance, none of this takes place in a school. But the whole coincidence thing: While I don't like coincidence in stories because it is often the mark of a lazy writer, coincidences play a LARGE part in Korean Dramas. Because of the whole fated/destined/karmic thing. In addition, Christians also acknowledge coincidences --often in the form of answered prayers-- so I'll find a place to put it in the story. But it has to be done in an obvious but non-preachy, non-lazy writer way.

Now, like many Christians, I've had my share of coincidences. So many that I can't even list them. In fact I tend to do my Bible devotionals this morning trusting in coincidence. I just kinda flip my Bible to two or three different sections in the Bible and read. I read about three or four different sections so I'm covered with whatever synchronicity God wants to pop up or use for my day. Today I lay in bed thinking about writing this blog and of course I open the Bible to the scene in Acts where the ethiopian eunuch was reading Isaiah aloud when coincidentally Philip popped up.

A few of the coincidences that have popped up in my life:

1) When I was a kid and going through a crisis of faith and wondered if the Bible was the word of God, I was so depressed I flipped through the pages, not looking. I opened the Bible and put my finger on any old Scripture. My finger landed on: "since you are seeking for proof of the Christ who speaks in me, and who is not weak toward you, but mighty in you." 2 Corinthians 13:3

2) After I'd given birth to my first son, I was sitting on the bed and I heard the Lord say in my spirit, "Rest." I got out of the bed and there was my son playing with Boggle letters on the ground near the foot of my bed. He was about a year old. He had put the letters R-E-S-T in perfect order on the ground.

3) I was once in a car with hubby and I suddenly felt the urge to pray. I prayed, "God, please protect us. Don't let us kill anyone and don't let anyone kill us." Yep, a weird prayer. About a mile down the road..we're driving in a traffic circle, a guy on a bike suddenly skids. His bike flew in one direction and he shot like an arrow in front of our windshield. Hubby's driving skills and my prayer three minutes earlier saved us from hitting the guy.

4) Another time I felt I shouldn't go to work one morning. It felt silly to simply not go to work -- where I was a teaching assistant. I did the old Bible as fortune-teller thing (not recommended but hey) and I got this verse: " go not forth thence any whither." 1 Kings 2:36. So I decided not to go. And what happened? One of my favorite student got into a nasty fight. The cops were even called. Maybe if I had gone, I would've tried to break up the fight and gotten hurt. Or maybe there was something else that might've happened. Either way, I obeyed the coincidence.

5) Then there were all these Korean godwinks I've had.

There have just been a lot. Some of the coincidences I've written about on the net, but some I don't generally think about..because they happen so often. As Archbishop Temple once said, "When you stop praying, coincidences stop happening."

Of course some coincidences guide us. Others just are God telling us he loves us and not really about Him telling us what to do.

Anyways, I have to somehow manage to put coincidences into Onion. And I have to do them well. I can't do them to get out of a plot complication. And I can't make them cheesy. I'll see how God does it...cause I know well enough that I cannot write anything well unless God is helping me. Anyway, I wrote this blogpost because I felt the coincidence with the Philip an the eunuch story made me feel God was telling me to.

Happy Creativity, all!

Tuesday, February 18, 2014

Advice for young home-owners dealing with heavy snow

Okay, some folks have houses and have no idea how to deal with heavy snow and winter.

Some advice -- of course depends on how heavy the snowfall is:

On the first snowfall...and after ensuing snowfalls:

Shovel around your house. Move the snow about one foot away. So there should be a one foot snow-free leeway around your house to walk on, and for your pets to walk on when they need to go outside and pee. Of if you need to walk around the house. 

Do this especially if your house is prone to flooding and if you live in a snowy area. Pile the snow at least a foot away or more. Throughout the winter after more snowfalls, the leeway will get smaller if snow lasts on the ground and snow will be heavier to move at that point. In the beginning, give yourself enough room because more snow will fall later on and you don't want to be pushing a pile of snow away from your house.

Shovel the fallen snow off your driveway and push all snow about one foot from the blacktop and into the grassy areas. Make a little path also for the fuel guy to walk in when he comes to deliver fuel.
If there is a hydrant in front of your house, shovel around it and down to the red mark -- just in case.

If you have a very heavy snow and you're afraid of the roof falling in from heavy snow, crank up the heat in the morning so the heat goes through the house all the way up to the roof. In that way, the snow starts to melt and doesn't collect on the roof.

Before snowfall, make sure your gutters are clean so the snow can drain off your roof. Make sure the gutters are clean because you don't melted waters seeping under the shingles when the snow on your roof begins to melt. Make sure water can freely flow and make sure it flows freely into your grassy area an away from the asphalt.

After snowfall, if there has been ice or a cold snap, tap the gutter pipe near your house to break up any ice that might be blocking the flow of the water in the gutter. You don't want black ice forming near the gutters or near your house when the snow starts melting on warmer days. Best to have the snow water flow gradually all the time than suddenly form thick chunks of ice. More manageable. And either put salt or sand near the gutters so the ice will melt of have traction. 

Knock down icicles around your house with the straw end of a broom, especially near the gutters. People always fear ice below but rarely ice above...but falling icicles are dangerous.

As the winter continues, make sure you continue to push snow to the end of the black top. As winter continues, you may not be able to get the snow to the 12 inches mark on the grass but try to keep the snow about six inches away from your house. All around the house. Best way to prevent flooding basements. And remember to keep a pathway around the house for pets.

If you have a tree near your house, buy a plumbing snake and do some rootng of the main pipe (through the toilet) before winter snows. Sometimes the ice and the roots clog the man pipe, especially if one lives in an old house. BUY the snake. It's cheaper, in the long run. Especially if you have kids..because they will always throw things into the toilet and you'll need a rooter anyway. In my country of Westchester, Roto Rooter costs around $600 a visit. Some guys can do it cheaper for $180 or so...yeah, best to buy a snake.

That's all. It helps prevent the usage of sump pumps, helps prevent moldy houses (caused by flooded basements and soggy shngles), helps prevent doggy poo in front of or inside of one's house, helps prevent accidents.

Sunday, February 02, 2014

Art versus Reality: Off-screen off-stage tragedy

I recently got a really great review of my novel The Constant Tower. It was written by Michael Ehart and it just thrilled me and sent me squeeing through the house. Not that he loved everything about my book. Of course there were creatve choices I made which he couldn't get behind. One of them had to do with my choice of doing two murders off screen. I'll agree with him that I could've killed one of the secondary characters on-screen. It would've been easy to have one or two of my POV characters see the crime. So he's right there. Maybe the scene would've been more powerful if I did that.

But the other scene...well I gotta defend it. And here is why: One basic fact of life is that many tragedies that affect us often take place far from our eyes.

Consider the attack on Pearl Harbor or 9/11

Fantasies often have wars happening in their pages. Constant Tower has a war going on...in fact many wars...great and small, petty and large, or a combination of both. But I don't lke battles. I even wrote about my dislike of describing battle scenes inside the pages of CT. My main characters are not warriors. Worse my main characters are victims of life and small wars. The larger war affects them but not as much as the daily wars they have to fight, or the daily wars that suddenly get thrust on them. In fact, it's the petty wars that I'm concerned with -- the daily wars we have with those in our tribe. And so while hundreds die off screen in the larger war, the folks we love in CT -- the warriors who were the hero's friends who died in the story-- all died from being wounded in the house of their friends. They are collateral damage. As the saying goes, when elephants battle, the little grass gets trampled.

I wanted to talk about this kind of sudden cruelty that happens to people who simply are in the way, people who are killed because someone wants something else or because someone is using them to get at something else.

Michael Ehart used the phrase "convoluted betrayals" and talked about the Westeros and the Borgias. The perfect description! Folks are murdered in order to make the main character suffer. Secondary characters are pawns in a larger struggle. Think of Satan's cruelty to humans as his way of getting back at God. Does Satan hate humans for themselves? Probably not.

When I was teaching in the high school I befriended one of the Spanish teachers. Little did I know she was at war with the other Spanish teacher. Weirdly, but humanly, the other teacher took on a dislike of me. Yep, teachers can be way immature. Did she think her enemy was discussing her with me? Don't know. But wow, the stuff she said to me out of the blue. Then when my son entered the high school I told him to choose the hateful Spansh teacher. She was the better teacher, so I thought why not? It didn't occur to me that she would be petty. (I have often naively given people the benefit of the doubt. Never a good thing.) Well, she was utterly cruel to him in everything. Even the kids in his class thought there was something weird going on.

Humans are petty and because of this there are tons of innocent victims around...because human malice will find some substitute to attack as a way of attacking their enemy. Like I said, it's demonic. Human nature likes having its way. It likes being judge, juror, executioner. It likes avenging itself; it justifies itself. This makes for a world where Self causes problems for anyone and anything that challenges it. A dangerous situation because Self is always on the prowl for anything it deems dangerous to its pride, power, etc -- even if that thing is unaware of the other Self's issues.

So is it odd that my POV characters didn't see some great evil coming at them? No. They were sideswiped by sudden human evil as we humans often are. We don't see all the evil that affects us when the evil happens. Somewhere someone is seeking us like a prey, setting a snare. Or worse, someone is setting a snare for someone we love because we love that person.  And why do we grieve for the innocents we might have protected if we had "seen" the plan of the enemy? Why do we have survivor's guilt? And why do we understand instinctly that someone hurt our friend as a means of hurting us? Because we feel responsible for the suffering of our loved one. And this is how the enemy's malicious plan works: they have succeeded in making us grieve.

We are all on a stage with movers and shakers (spiritual or human) on-screen and off-screen. On-stage and off-stage.  A scene is not per se un-exciting because the cruelty is not seen/written before our eyes. The power of a scene where sorrow is discussed but not shown lies in the helplessness of the human characters. The characters "did not know"..."had not foreseen the evil scheme"...is overwhelmed by the aftermath and keeps imagining what he would've done if he had been there. Of course God foresees the disaster, God is present at every disaster because He is omnipresent. And it is possible that God tried to warn against the tragedy but allowed human free will to play out. Incidentally, in this world only God isn't vindictive...and yet...we humans often think He is.

So upshot: I aimed for reality in my art. I think my choice worked.

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